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Brian Moseley

Music theorist at the University at Buffalo.

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Janna Saslaw, “Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music,” Journal of Music Theory 40/2 (1996): 217–43.

Candace Brower. 1997–98. “Pathway, Blockage, and Containment in Density 21.5.” Theory and Practice 22–23: 35–54.

Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis (New York: Oxford University Press, 2002), 63–95.

Arnie Cox, “Embodying Music: Principles of the Mimetic Hypothesis,” Music Theory Online 17/2 (2011).

Joseph Straus, Extraordinary Measures: Disability in Music (Oxford University Press, 2011): Introduction (pp. 3-14); Chapter 2 (pp. 45-62); Chapter 6 (pp. 103-124).